What I've been reading lately:
Australia:
Refugee on Nauru convicted of attempted suicide to 'deter' others - It's official, we are atrocious.
Why the federal budget is not like a household budget
Labor calls for banking and financial services royal commission
Turnbull might have to ditch the double dissolution
Germaine Greer comes under fire for controversial transgender comments
Next Generation of Banknotes: $5 Banknote Design Revealed
Geelong Council, including mayor Darryn Lyons, set to be sacked
Indigenous Actor Jack Charles Has Been Refused A Cab. Again.
Coal collapse turns 50 as Peabody fails, “clean coal” exposed as myth
This might not be the last act for ousted MP Bronwyn Bishop - oh, I think it will.
Turnbull picks a move on truck drivers, not banks
Fundraiser for Assistant Treasurer Kelly O'Dwyer to be sponsored by NAB amid banking firestorm
Tumbleweeds roll across the Senate chamber as a double dissolution election looms
In defence of Abbott: for the 'delcons', electoral victory doesn't matter
Labor refers Sophie Mirabella's claims to auditor general over $10m ‘political retribution’
PM out-manoeuvred by Labor
Former member for Indi Sophie Mirabella in spat with current member Cathy McGowan
Mirabella's grubby deal is unacceptable
Palace Theatre to be demolished: VCAT - Vandals!
River on fire in Greens MP's video is natural, not fracking, says CSIRO
Founder of private training empire accused of writing lewd messages on toilet walls
US:
The word most often used to describe the conditions that lead to gun mishaps is nearly always the same: “somehow.”
Five Panama Papers takeaways
Trump Is The Weakest GOP Front-Runner In The Modern Era
Clinton Is Winning The States That Look Like The Democratic Party
NOPD: Fully loaded handgun found inside former Saints player Will Smith's car
LSP responds to attorney's request to take over Will Smith shooting death investigation
Ted Cruz’s college days as a widely hated masturbator have come back to haunt him
Harriet Tubman Ousts Andrew Jackson in Change for a $20
Harriet Tubman on the $20 bill papers over racism
Jack Mehoff Endorses Donald Trump - Still chasing Wayne Kerr's vote.
Learning to Talk About Class
UK:
No one would listen to Stephen Fry if he was poor
A ban on state-funded academics using their work to question government policy is to begin on 1 May. It’s either a cock-up or a conspiracy - Want to talk about free speech?
This terrifying Rupert Murdoch quote is possibly the best reason to stay in the EU yet
Meet the snooker superfan who flies 11,000 miles to spend 17 days in Sheffield every year
Email from Victoria Wood
Why DID Paul McCartney marry such a lying money grabber?
World:
Furious French wine makers hijack Spanish tankers, pouring 90,000 bottles down the drain
Artists in Pakistan target drones with giant posters of child victims
Chernobyl’s Silent Exclusion Zone (Except for the Logging)
Music:
Remember That Time Prince Kicked Kim Kardashian Off The Stage?
Prince went to small Australian venue Bennetts Lane and asked 'can I have a gig here?'
Brian May Blasts Sacha Baron Cohen Over Freddie Mercury Biopic
David Bowie interview from 1996: 'I have done just about everything that it’s possible to do'
The truth behind that remix of Macca’s ‘Nineteen Hundred and Eighty-Five’
Blood, Sugar, Sex, Dickheads
12 of the best vinyl test records
Media:
'I'm in trouble': Messages show 60 Minutes may have rejected fallback escape plan after child snatching
The Fight for the Future of NPR
60 Minutes: Child recovery team 'very upset' Channel Nine left them in Beirut prison, lawyer says - Gee, what's the world coming to when mercenary people smugglers can't trust the media cowboys who bankrolled them?
Society:
Is it organic? When lifestyle choices have gone too far
The age of loneliness is killing us
The film making us face the idea disabled people have sex
Mourning Prince and David Bowie, who showed there's no one right way to be a man
Science:
Using a Dyson hand dryer is like setting off a viral bomb in a bathroom
Coffee Workers' Concerns Brew Over Chemical's Link To Lung Disease
Tech:
SQL injection vuln found at Panama Papers firm Mossack Fonseca
Windows 10 system overheating and CPU Core Parking
The Kindle Oasis. A strategic review
History:
The Dismissal: the 'what-could-have-been-live' blog
Culture:
Dogs in Space, 30 years on – a once maligned film comes of age (contains spoilers)
Jock Scot, performance poet – obituary
Mental health:
People Are Using The Hashtag #WhatYouDontSee To Show What Depression Is Really Like
No, Beyondblue, we do not need more awareness about mental health - This link is not an endorsement.
Literature:
TfL has made a Shakespearean tube map to mark 400 years since his death
Shakespeare's deleted scenes
I got stupid on me and now I'm wiping it off on you:
Flash of credentials can’t disguise self-interest in taxes letter - Yeah Gerard, because your thinktank doesn't have any conflicts on interests, does it? tl;dr: What makes people think they know so much just because they're experts?
The least boring photo on my camera roll:
25 April, 2016
23 April, 2016
Seven days of Bowie - bonus tracks
Yes, I've already done the seven-day challenge and I've already cheated by choosing two for the last day, but when I first started this 'blog way back in 1899, the point of it was to do things my way. So here are three choices that almost made it and why:
Tin Machine
As with Never Let Me Down, I am not for one moment suggesting Tin Machine is a work of misunderstood genius. What's great about it is that it was such a breakout!
As mentioned and linked in the previous post, Bowie's plan in the mid-80s was to make as much money as he could and then retire to a tropical island somewhere. But he noticed it wasn't making him happy and Reeves Gabrels suggested to him that maybe he should do what makes him happy.
So yes, Tin Machine was rough and somewhat contrived, although probably no more or less contrived than any of Bowie's other adopted styles. It was as if all the raucous he'd been holding back for almost ten years came blurted out in two albums. These days you'd call it a reboot. And to push the analogy a little too far, rebooting can be messy.
Oh, and they rocked harder than a lot of the poodle metal acts around at the time.
I Know It's Gonna Happen Someday
It wasn't unusual for Bowie to do covers. In fact over half his albums have at least one cover version on them. Obviously being a Morrissey fan, this one is going to interest me but there's a cute circularity to the way this one came about.
Mick Ronson had produced Morrissey's Your Arsenal album, from which the song was taken, the year before. In one of the few insights into the creative process provided in Morrissey's Autobiography, it reveals that it was Ronson's idea to have the outtro of I Know It's Gonna Happen Someday follow the same chromatic run featured in the climax of Rock'n'Roll Suicide. Morrissey and his band were worried that Bowie would sue. Mick gave them a nod and a wink and assured them it wouldn't happen. The subtext? Ronson had written that part all along.
Bowie returned the compliment the following year saying, "It's me doing Morrissey doing me." None of this is to suggest that Bowie wasn't completely taking the piss on this version.
Ashes to Ashes
For the most part, I have tried to avoid obvious classics, but the one really is unavoidable. However, I am going to tell you something about it that you probably haven't heard before.
Bowie wasn't just a magpie in terms of musical styles; he would pinch lyrics and musical phrases from everywhere - not quite going as far as plagiarism but certainly going beyond a passing similarity.
One of the most obvious examples is in All the Madmen and the line, "Here I stand, foot in hand, talking to my wall," which can easily be sung to The Beatles' You've Got to Hide Your Love Away.
For Ashes to Ashes, Bowie dug back even further to another 'sequel' song by none other than Buddy Holly. Peggy Sue Got Married features the lines
Another little bit I love about Ashes to Ashes is for a tragic song, there's still a bit of humour in there. The background voice in the second verse repeats every line including a deadly earnest, "Whoa ooh whoa hoo." It could be Bowie's most perfect song.
That really is all for now - apart from all the others.
Remember, you're not alone!
Tin Machine
As mentioned and linked in the previous post, Bowie's plan in the mid-80s was to make as much money as he could and then retire to a tropical island somewhere. But he noticed it wasn't making him happy and Reeves Gabrels suggested to him that maybe he should do what makes him happy.
So yes, Tin Machine was rough and somewhat contrived, although probably no more or less contrived than any of Bowie's other adopted styles. It was as if all the raucous he'd been holding back for almost ten years came blurted out in two albums. These days you'd call it a reboot. And to push the analogy a little too far, rebooting can be messy.
Oh, and they rocked harder than a lot of the poodle metal acts around at the time.
I Know It's Gonna Happen Someday
Mick Ronson had produced Morrissey's Your Arsenal album, from which the song was taken, the year before. In one of the few insights into the creative process provided in Morrissey's Autobiography, it reveals that it was Ronson's idea to have the outtro of I Know It's Gonna Happen Someday follow the same chromatic run featured in the climax of Rock'n'Roll Suicide. Morrissey and his band were worried that Bowie would sue. Mick gave them a nod and a wink and assured them it wouldn't happen. The subtext? Ronson had written that part all along.
Bowie returned the compliment the following year saying, "It's me doing Morrissey doing me." None of this is to suggest that Bowie wasn't completely taking the piss on this version.
Ashes to Ashes
Bowie wasn't just a magpie in terms of musical styles; he would pinch lyrics and musical phrases from everywhere - not quite going as far as plagiarism but certainly going beyond a passing similarity.
One of the most obvious examples is in All the Madmen and the line, "Here I stand, foot in hand, talking to my wall," which can easily be sung to The Beatles' You've Got to Hide Your Love Away.
For Ashes to Ashes, Bowie dug back even further to another 'sequel' song by none other than Buddy Holly. Peggy Sue Got Married features the lines
You recall a girl that's been in nearly every songCompare to the opening lines of Ashes to Ashes:
This is what I heard, of course the story could be wrong
Do you remember a guy that's beenCoincidence? Nup! And there's nothing wrong with that.
In such an early song?
I've heard a rumor from Ground Control
Oh no, don't say it's true
Another little bit I love about Ashes to Ashes is for a tragic song, there's still a bit of humour in there. The background voice in the second verse repeats every line including a deadly earnest, "Whoa ooh whoa hoo." It could be Bowie's most perfect song.
That really is all for now - apart from all the others.
Remember, you're not alone!
Labels:
David Bowie,
music
21 April, 2016
Seven Days of Bowie - Part the Last
Never Let Me Down/Shining Star (Makin' My Love)
For most of the 80s, Bowie was more a craftsman than an artist. I'm not saying that's a good or a bad thing, just that that's how it was. He had quite understandably decided it was time he had some seriously big hits. He did so with his own flair of course, but it's clear that commercial considerations were much more to the fore than the were in the 70s.
The reality is that when Never Let Me Down came out, Bowie was taking the money and getting ready to run. That was until Reeves Gabrels shook him and said, 'You're better than this!'
I'm not here to say Never Let Me Down is a work of misunderstood genius. It's not. It's some well-polished pop that is never going to stack up well beside Hunky Dory or Diamond Dogs. And as 80s pop went, it was a bloody sight better than Huey Lewis.
I've chosen these two songs (I couldn't separate them) because they're just... well, joyous! And we all need some joy. I listen to a lot of dark and cynical music but I balance it with some gorgeous pop. And the joy means more when it comes from someone who knows the dark side. Bowie had been through the terrible times and come out okay. Maybe we can too.
And then there's the star motif again.
For most of the 80s, Bowie was more a craftsman than an artist. I'm not saying that's a good or a bad thing, just that that's how it was. He had quite understandably decided it was time he had some seriously big hits. He did so with his own flair of course, but it's clear that commercial considerations were much more to the fore than the were in the 70s.
The reality is that when Never Let Me Down came out, Bowie was taking the money and getting ready to run. That was until Reeves Gabrels shook him and said, 'You're better than this!'
I'm not here to say Never Let Me Down is a work of misunderstood genius. It's not. It's some well-polished pop that is never going to stack up well beside Hunky Dory or Diamond Dogs. And as 80s pop went, it was a bloody sight better than Huey Lewis.
I've chosen these two songs (I couldn't separate them) because they're just... well, joyous! And we all need some joy. I listen to a lot of dark and cynical music but I balance it with some gorgeous pop. And the joy means more when it comes from someone who knows the dark side. Bowie had been through the terrible times and come out okay. Maybe we can too.
And then there's the star motif again.
Labels:
David Bowie,
music
20 April, 2016
Seven Days of Bowie - Fit the Sixth
God Knows I'm Good
Bowie has dropped the mask a few times but the earliest and most moving were on the album that eventually became known as Space Oddity. There is the raw emotional honesty of Letter to Hermione too, but this was the one that I noticed the most.
I have to admit that having read about Bowie's determination for fame before hearing this album, I completely misinterpreted the title of this song at first. Although he was already creating otherworldly personae, the empathy shown for the poor, old and lonely is both surprising and reassuring. Beneath it all, he's a nice guy with concerns that go broader and deeper than the swinging London of the late 1960s.
Bowie has dropped the mask a few times but the earliest and most moving were on the album that eventually became known as Space Oddity. There is the raw emotional honesty of Letter to Hermione too, but this was the one that I noticed the most.
I have to admit that having read about Bowie's determination for fame before hearing this album, I completely misinterpreted the title of this song at first. Although he was already creating otherworldly personae, the empathy shown for the poor, old and lonely is both surprising and reassuring. Beneath it all, he's a nice guy with concerns that go broader and deeper than the swinging London of the late 1960s.
Labels:
David Bowie,
music
19 April, 2016
Seven Days of Bowie - Day Five
Dead Man Walking
Earthling is one of my favourite Bowie albums. Although he'd been making music for 30 years by the time it came out, he was still exploring new and contemporary styles. Britpop? Meh, Bowie was there the first time around. The electronica of the mid-90s interested him more.
If it were anyone else, it might seem like a sad attempt to stay relevant but this was always Bowie's method to embrace a genre and bring his own style to it as well. See also, Young Americans - perhaps not authentic Philly Soul, but more than just a pale imitation. He wasn't just going to hire all the hip producers of the day and say "make me sound like that" [coughMadonna].
Likewise, Earthing was not pure drum'n'bass, but Bowie did bring an element of songcraft to the style, so that even with two guitars, the songs still sound great.
Earthling is one of my favourite Bowie albums. Although he'd been making music for 30 years by the time it came out, he was still exploring new and contemporary styles. Britpop? Meh, Bowie was there the first time around. The electronica of the mid-90s interested him more.
If it were anyone else, it might seem like a sad attempt to stay relevant but this was always Bowie's method to embrace a genre and bring his own style to it as well. See also, Young Americans - perhaps not authentic Philly Soul, but more than just a pale imitation. He wasn't just going to hire all the hip producers of the day and say "make me sound like that" [coughMadonna].
Likewise, Earthing was not pure drum'n'bass, but Bowie did bring an element of songcraft to the style, so that even with two guitars, the songs still sound great.
Labels:
David Bowie,
music
18 April, 2016
What privilege looks like
Tracy Grimshaw wrote an anguished piece for The Australian today in defence of her 60 Minutes colleagues who are currently under arrest in Lebanon.
I make no comment on the case and I don’t question for a moment any of Ms Grimshaw’s account of what good people her friends are. I feel for her and I feel for them. I particularly feel for the crew who probably had no input in the story and may not have had a choice in their involvement in it.
The point I have to make is that for anyone who has ever had to wonder, this is what privilege looks like.
Never mind the fact that a tabloid journalist is defending other tabloid journalists. In fairness, Ms Grimshaw declared her lack of objectivity.
Never mind the fact that once again, Australians are behaving the laws of another country don’t apply to us while in that country.
Never mind the fact that if a Lebanese television network were alleged to have paid people smugglers (remember when they were the bad guys?) to snatch a child of a Sydney street and spirit him out of the country, 60 Minutes, A Current Affair and all their ilk would be baying for blood.
Let’s start with the fact that every person in every jail cell in the world has a friend who says they’re a good person. They don’t all get to say it in a major daily newspaper though.
It’s not news or even notable that someone who is locked up has friends who are worried about them and family who miss them. There is nothing special about that. That just makes them human. Some of them are probably innocent. The 60 Minutes crew may well be innocent. That’s for the Lebanese justice system to decide and it doesn’t matter what you think of Lebanese law, they were in Lebanon so their law applies. Being Australian and a good person doesn’t mean you get treated differently. If you think it does, or should, that’s what privilege looks like.
I make no comment on the case and I don’t question for a moment any of Ms Grimshaw’s account of what good people her friends are. I feel for her and I feel for them. I particularly feel for the crew who probably had no input in the story and may not have had a choice in their involvement in it.
The point I have to make is that for anyone who has ever had to wonder, this is what privilege looks like.
Never mind the fact that a tabloid journalist is defending other tabloid journalists. In fairness, Ms Grimshaw declared her lack of objectivity.
Never mind the fact that once again, Australians are behaving the laws of another country don’t apply to us while in that country.
Never mind the fact that if a Lebanese television network were alleged to have paid people smugglers (remember when they were the bad guys?) to snatch a child of a Sydney street and spirit him out of the country, 60 Minutes, A Current Affair and all their ilk would be baying for blood.
Let’s start with the fact that every person in every jail cell in the world has a friend who says they’re a good person. They don’t all get to say it in a major daily newspaper though.
It’s not news or even notable that someone who is locked up has friends who are worried about them and family who miss them. There is nothing special about that. That just makes them human. Some of them are probably innocent. The 60 Minutes crew may well be innocent. That’s for the Lebanese justice system to decide and it doesn’t matter what you think of Lebanese law, they were in Lebanon so their law applies. Being Australian and a good person doesn’t mean you get treated differently. If you think it does, or should, that’s what privilege looks like.
Labels:
Australian politics,
media bias files
Seven Days of Bowie - Day Four
In the Heat of the Morning
Pre-fame Bowie is fascinating on many levels. His Deram label output is kind of similar to Dylan's earliest work in that we hear an artist still trying to work out who he wants to be. Dylan's first couple of albums are part folk troubadour, part next-generation Woody and part stand-up comedy.
Similarly, Bowie experimented with the cheeky-chappy pop of Love You 'Til Tuesday and Can't Help Thinking About Me the pure music-hall nonsense of She's Got Medals and Uncle Arthur, and then slightly more serious pieces like this.
And like Dylan, he never did decide on a particular direction, he just realised it was better not to put them all on the same album.
Bowie once said that if his early records had been successful, he would probably have ended up in West End musicals. In fact, I can see him playing a pretty good Phantom. It's not that big a step away from Jareth.
After Bowie did hit it big, these tracks were released on dozens of cheap and nasty collections. As skippable as many of the songs were, Bowie must have kept a soft spot for some of them. He attempted to rehabilitate some of the Deram era songs, including this one, on the shelved Toy album.
Pre-fame Bowie is fascinating on many levels. His Deram label output is kind of similar to Dylan's earliest work in that we hear an artist still trying to work out who he wants to be. Dylan's first couple of albums are part folk troubadour, part next-generation Woody and part stand-up comedy.
Similarly, Bowie experimented with the cheeky-chappy pop of Love You 'Til Tuesday and Can't Help Thinking About Me the pure music-hall nonsense of She's Got Medals and Uncle Arthur, and then slightly more serious pieces like this.
And like Dylan, he never did decide on a particular direction, he just realised it was better not to put them all on the same album.
Bowie once said that if his early records had been successful, he would probably have ended up in West End musicals. In fact, I can see him playing a pretty good Phantom. It's not that big a step away from Jareth.
After Bowie did hit it big, these tracks were released on dozens of cheap and nasty collections. As skippable as many of the songs were, Bowie must have kept a soft spot for some of them. He attempted to rehabilitate some of the Deram era songs, including this one, on the shelved Toy album.
Labels:
David Bowie,
music
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