28 October, 2009

LIVE AT THE CAVERN CLUB – Paul McCartney (2001)

Paul’s first made-for-DVD release is a good’un. It’s the complete show from his 1999 gig at the replica of the Cavern Club in Liverpool. And for someone who is generally used to playing venues that hold tens of thousands, he still knows how excel in a small room. The setlist is taken entirely from the Run Devil Run sessions with the exception of I Saw Her Standing There, which was only added to placate fans who might feel ripped off if no Beatles tunes were played. This is McCartney in pure rock and roll mode.

The band is a classic rock fan’s wet dream, comprising of David Gilmour, Ian Paice, Mick Green and Pete Wingfield, plus Chris Hall who plays accordion on a zydeco-influenced version of Chuck Berry's Brown Eyed Handsome Man.

Although the show only lasts for just over an hour, that is made up for by the inclusion of two 20-minute interviews, one reflecting on the show and the other promoting Run Devil Run, and two video clips. The promo for Brown Eyed Handsome Man is excellent.

Highlight: No Other Baby
Feature: * * * *
Extras: * * * * *
Audio: Dolby Stereo, Dolby 5.1, DTS

Previously posted at Strawberry Fields.

THE PETA CONCERT FOR PARTY ANIMALS – Paul McCartney and Friends (2002)

Note “and friends” in the title. Paul himself appears for less than half the running time of this disc. That’s fine, just as long as you know that before you buy it. The main point of the night seems to be for B-list celebs to give each other plaques for making TV ads. It does make you wonder if there might be a better way to fight cruelty to animals. Fair enough if this helps to spread the word, but you have to wonder what’s going on when the inaugural Linda McCartney Memorial Humanitarian Award goes to Pamela Anderson. The awards are punctuated by some deeply unfunny comedy before the second half of the show which is the music. The B-52s open the set, Chrissie Hynde joins them for I'll Stand By You and Paul brings it home with fives songs from Run Devil Run.

Despite Paul being the host for the evening, it’s not really his show. At the right price though, it's worth having, especially for the only live performance of Run Devil Run.

Special features are a collection of short films exposing cruelty to animals. Be warned that if you have any decency at all, you WILL turn away in horror and disgust.

Highlight: Fixing the “discrepancy” in Brown Eyed Handsome Man
Feature: * * ½
Extras: * * * * (but be careful)
Audio: Dolby Stereo

Previously posted at Strawberry Fields and at Fishpond.

25 October, 2009

The Dangers of Evangelical Atheism

Christopher Hitchens was on Q and A a couple of weeks ago doing what is usually expected of him on such programs, which is to speak long and loud about why he knows better than everyone else, interrupting at the slightest opportunity and generally being an intellectual bully. Usually one of the first things you hear about the conservative writer and columnist is his atheism.

I have a problem with people like Hitchens. My problem is not that he is an atheist. In general, I have no issue with atheists. Some of the most Christian people I know of are atheists, and some of the most evil people I can think of would profess to be Christians. My problem with Hitchens is that he is an evangelical fundamentalist atheist.

The other problem I have with people like Christopher Hitchens and Richard Dawkins is one of intellectual rigour. The arguments they present are the kind of arguments that they would dismiss out of hand if they were applied to any other subject.

The first is when they talk about the evils of religion. If someone wants to talk about the atrocities that have been committed in the name of religion, then they will get no argument from me – but that has absolutely nothing to do with the existence of God. That’s like citing crooked cops as evidence that there is no law. It’s a complete non-sequitur.

The other, is their claim that there is no sound evidence of God. Of course, millions of believers will state that there is plenty of evidence of God, but I’m not going to go down that path in this piece. Let’s accept, for the sake of argument, their premise that there is no evidence of God. This does not mean there is no God. The apparent absence of evidence in support of one theory does not automatically mean that the opposite is true. That is fundamentally unscientific thinking and it disturbs me that people with intellects as sharp as Hitchens and Dawkins can’t see that.

The non-existence of God is just as untestable and unprovable as the existence of God. Therefore, whether you believe in God or not, it still comes down to an article of faith.

The popping sound you can hear is a thousand atheists’ heads exploding.
Faith in the negative is still faith.

And this is the point that separates the nice atheists from the dangerous radicals. I can get on perfectly well with atheists who accept their faith for what it is. The ones I have issues with are the ones who say that they are right and everyone else is wrong.

Therein lies the great irony of atheism. My biggest disagreement with Hitchens, Dawkins and their supporters is their assertion that their particular faith is morally and intellectually superior to all others. That’s exactly the kind of behaviour they decry in other religions, and rightly so up to a point, but it’s okay for them because they’re atheists and that makes them better.

I would not have called atheism a religion a few years ago but that has changed with the launch last year of the “atheist bus,” and several other similar campaigns.
Everybody wants to get in on the act. Salvation atheist style.

There was a time when atheists were simply religious refuseniks and fair enough if that’s how you want to live your life. But now here they are, openly touting for converts, promising happiness, begging donations so they can do more good in the world (both through charity and expanding their own influence) plus an ego trip in the form of advertising Richard Dawkins’ website. And don’t be fooled by the “probably” qualifier. The website of the atheist bus explains that it was only added for legal reasons.

How is that not a religion? How is that not embracing everything atheists used to say was wrong with organised religion? And how can people as rational and scientific and Dawkins and Hitchens not see that? If they were not such intellectual snobs, I might think they just missed the point, but seeing as they are such great thinkers, I can only assume that they are being deliberately blind to their own contradictions.... which is just another thing they criticise believers for.

22 October, 2009

GET BACK – Paul McCartney (1990/2005)

Get Back is the filmed record of Paul's '89/'90 comeback tour and began a tradition of annoying concert films that continues through to today. This one was directed by Richard Lester, who made his name directing the Beatles' first two films and his eccentric style comes out in the concert film. We all know that these films are cut together from dozens of different shows, but unlike most others, Lester makes no attempt to disguise the fact. While it's a refreshingly honest approach, it can be irritating if not downright creepy to see Paul and band change clothes in the middle of a song. And while it's perfectly legitimate to illustrate The Long and Winding Road with news footage of the Beatles and the space race juxtaposed with vision of the Vietnam war, showing it all at full screen for the entire song is not what we paid to see.

The concert itself is magnificent with heaps of Beatles songs that until then had never been performed live. But as with all the others, the film does not do justice to the show. Being shot on film makes it look more dated than it really is, and the cutaways to the audience become so ubiquitous that you sometimes feel like you're watching an audience film occasionally interrupted by a concert. The fact that the same mistake of overusing audience shots has been made by three very different directors over 15 years can only suggest that the order came from higher up the chain. Paul, we know you're famous, that's why we want to see YOU!

If Paul is ever going to release a decent concert film, he needs to look for two qualities in a director:
  1. Find someone who is actually adept at making concert films. Being good at making cheeky Britcoms and black comedies about the war, or 4-minute MTV clips doesn't necessarily qualify you to capture a concert.
  2. Get someone who is not a Paul McCartney fan. When Paul hired Nigel Godrich on George Martin's recommendation, to produce Chaos & Creation, Godrich admitted that he had never bought a McCartney album. The result was healthy creative tension and the best album Macca has made in 25 years. The same should apply to DVDs. Get out of the mutual admiration society.

Get Back, like just about everything that came after it, merely teases us with a taste of what might have been.

Highlight: The first live version of Hey Jude, closely followed by the Abbey Road medley
Feature: * * ½
Extras: None
Audio: Dolby Stereo

Previously posted at Strawberry Fields and at Fishpond.

21 October, 2009

PAUL IS LIVE – Paul McCartney (1993/2003)

This record of the 1993 New World Tour suffers the same problem as the album that accompanied. By including only songs not performed on the previous tour (plus Let It Be, Yesterday and Hey Jude, but you knew that didn't you?), the concert comes across as disjointed. That's somewhat understandable in the VHS release, but if they were going to remaster and remix the show for DVD, why not reinstate the songs omitted on the original version?
The other letdown with Paul Is Live is the direction. Rapid cuts and pointless visual effects only serve to distract. It's a style that might be appropriate for a 4-minute MTV clip, but over 90 minutes it's just plain annoying. The pre-show film is included at the end of the concert – naturally.

All the performances are top notch but on the whole, this DVD is a wasted opportunity.

Highlight: The Melbourne skyline (even when it's meant to be Kansas City)
Feature: * *
Extras: None
Audio: Dolby 5.1

Previously posted at Strawberry Fields and at Fishpond.

16 October, 2009

THE SPACE WITHIN US – Paul McCartney (2006)

The third installment of the trilogy of live DVDs produced and directed by Mark Haefeli delivers what the others had only promised. It's still as much a tour film as a concert film, with songs interspersed with behind the scenes footage, fan profiles, and comments from famous fans about the great man. This year's selections include Cameron Crowe, Steve Jobs and Bill Clinton. And while it's done with a fraction more subtlety than previous attempts, it still leaves you wondering what the point is. For a start, they're preaching to the converted. And after three volumes, it seems as though these live DVDs are not so much concert films as a fan manifesto - a campaign presentation for why Paul is the greatest, punctuated with musical interludes. It's all so completely unnecessary. Guys, if you want to show that Paul is the greatest, just let the music and performance speak for themselves. The cavalcade of celebrity endorsements and fan profiles just makes it look like you're overcompensating for something.

As for the music, this disc really is the best yet. Paul has mixed the set list up so that it keeps plenty of crowd-pleasers but avoids the safe predictability of the 2002 set. The most welcome surprises are rarely performed songs including Too Many People, I'll Get You, I'll Follow the Sun, I Will, and Please Please Me plus a revival of Till There Was You. Not only that, but the selections from the new album are proudly played alongside the classics as they deserve to be, rather than all shoved in the middle as if they're some kind of intermission. It all takes place on a truly inspired piece of staging. He's going to have a hard time topping that one. Or perhaps not. I've thought that before.

Mercifully, there is no interruption to the music this time around. All the songs are allowed to play out before we cut to a family getting ready to go see the show. (Why?) Actually, that's not strictly true. Hey Jude and Let It Be are heard only as background music to some interviews, but that's forgivable since the songs are not cut into and both of them are available on at least five other DVDs.

For once, the interviews with Paul himself offer some insight too. He speaks several times on the subject of everyone coming together and of common sense prevailing. It's as almost if he's attempting to atone for pandering to post-Sept 11 jingoism on the 2002 tour and DVD. If so, all is forgiven.

Extras-wise, we have three soundcheck performances – Whole Lotta Shakin', Friends to Go and How Kind of You – the preshow film, a refreshingly candid short on the making of the show and a collage of the tour on the road. Here's a suggestion on the latter: if Paul wants to maintain his cred as an environmentalist, he really ought to get over the old 70s cliché of having chopper shots of a dozen trucks blocking the highway while he climbs into his private jet on the other side of the split screen. At least tell us they're on bio-diesel.

But aside from such clichés, (still WAY too many shots of the audience), this is still the best live DVD Macca has produced. You'll wonder what anyone ever saw in Back in the US.

Highlight: Too Many People, and an impromptu tribute to another famous left-hander
Feature: * * * *
Extras: * * * ½

Previously posted at Strawberry Fields.

15 October, 2009

Hidden in plain sight?

I don't know - maybe I've just been reading too much about Glenn Beck's blathering about hidden socialist messages in public art works and spellings of words and cracks in the footpath and such. Be that as it may, I had a look at the relaunched RNC website this evening.
Is it just me, or does this banner bear more than a passing similarity to the flag of communist China?

The People's Republicans?